Here’s Pipe Face Prototype and Pipe Study (both 2008) at Peter McLeavey Pop-up Gallery in Wellington. 
Zoom Info
  • Camera
  • ISO
  • Aperture
  • Exposure
  • Focal Length
  • SONY DSC-T9
  • 200
  • f/3.5
  • 1/40th
  • 6mm

Here’s Pipe Face Prototype and Pipe Study (both 2008) at Peter McLeavey Pop-up Gallery in Wellington. 

I’ve started shooting transparency film on an 8x10 camera just to see what will happen. Here’s Sand Forms, 2014. It will be in the upcoming show at Peter McLeavey Gallery’s pop-up space.

I’ve started shooting transparency film on an 8x10 camera just to see what will happen. Here’s Sand Forms, 2014. It will be in the upcoming show at Peter McLeavey Gallery’s pop-up space.

I’m going to Edinburgh tomorrow; ten of my new Ethical Minorities (Vegans) portraits and two of my video works are in the Edinburgh Art Festival. Above: Vegan Portrait 16.

I’m going to Edinburgh tomorrow; ten of my new Ethical Minorities (Vegans) portraits and two of my video works are in the Edinburgh Art Festival. Above: Vegan Portrait 16.

It’s election year in New Zealand and an inundation of political propaganda is about to spout forth. I’m going to re-imagine the material as it appears in my letterbox. First up, the Conservative Party.

It’s election year in New Zealand and an inundation of political propaganda is about to spout forth. I’m going to re-imagine the material as it appears in my letterbox. First up, the Conservative Party.

I’m obsessed with Bejeweled Ice Storm now. It feels authentically frosty.

I’m obsessed with Bejeweled Ice Storm now. It feels authentically frosty.

An undated photo by Gilbert Melrose of his sister Joan.

An undated photo by Gilbert Melrose of his sister Joan.

I woke up this morning and stared at my pink sweater drying above an air vent in the hallway and felt compelled to document it.
Zoom Info
  • Camera
  • ISO
  • Aperture
  • Exposure
  • Focal Length
  • Nikon D800
  • 320
  • f/7.1
  • 1/10th
  • 50mm

I woke up this morning and stared at my pink sweater drying above an air vent in the hallway and felt compelled to document it.

Self-portrait as an anorexic, 2003.

Self-portrait as an anorexic, 2003.

I made the top photo in 2004; it’s a selection of processed cheese which appeals to me because it’s like an inert plastic compound rather than actual food. The bottom photo is a non-edible product called ‘ezi-cheese’ which will take on a just-melted look for any photographic shoot requiring a hardy faux cheese.